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Julio Le Parc (ARGENTINE, 1928)




55 x 37 cm


Generally speaking, I have tried, through my experiments, to elicit a different type of behavior from the viewer […] to seek, together with the public, various means of fighting off passivity, dependency or ideological conditioning, by developing reflective, comparative, analytical, creative or active capacities.

                                                             Julio Le Parc 


An artist of historical importance and an influential figure in contemporary art, Julio Le Parc´s work is presented for the first time in France in such a large exhibition. His socially committed art is an immersive art, in which, through Le Parc’s study of light and movement, the visitor is invited to discover new ways of interacting with the world. We discover a practice that rejects psychologism, an art that participates in a social utopia and which, following an industrial model, participates in the constant reconstruction of our environment. Spread over 2,000 square meters, this exhibition at Palais de Tokyo allow us to apprehend all facets of an oeuvre constituted of paintings, sculptures and monumental installations.

A precursor of kinetic art and Op Art, founding member of G.R.A.V. [Visual Art Research Group] and recipient of the Grand Prize for Painting at the 33rd Venice Biennale in 1966, Julio Le Parc (b. 1928 in Argentina, lives and works in Cachan) is a major figure of art history. The socially conscious artist was expelled from France in May 1968, after participating in the Atelier Populaire and its protests against major institutions. A defender of human rights, he fought against dictatorship in Latin America. An uncompromising personality, in 1972 he refused to hold a retrospective exhibition at the Musée d’Art Moderne de la Ville de Paris, after flipping a coin to make the decision.

Julio Le Parc’s examinations of the visual spectrum, of movement, light, and of the relationship between the work and the spectator, remain highly relevant today. The visitor’s physical involvement and visual disturbance, as well as the reduction or expansion of shapes, are foremost concerns for the many artists who continue to build today on Le Parc’s research. The exhibition illustrates the extent to which the work of this artist, still young at 84 years of age, remains current, to convey his spirit of investigation and experimentation, and to allow the public to discover, or rediscover, his generous, playful and visionary work.

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